An Independent Author
August 19, 2011 at 12:40 pm | Posted in Literary Fiction | 2 CommentsTags: Book Reviews
‘Independent People’ Halldor Laxness Vintage Books 1946
I was inspired to read Halldor Laxness’s ‘Independent People ‘ because of its similarity to Rose Tremain’s most wonderful novel ‘The Colour’ which dealt with the mid 19th Century New Zealand gold rush. In ‘The Colour’ the characters pursuit of dreams of gold become for them in tandem a source of all-consuming hope and madness. 
‘Independent People ‘ deals with the struggles of early 20th Century Icelandic sheep farmer Guðbjartur Jónsson who pursues a dream for independence above all things in the social reality of capitalism and materialism of his time. Very like Tremain’s characters Guðbjartur is stubborn and often brutal in his pursuit of his dream in the middle of which World War 1 breaks out and becomes for Guðbjartur a financial asset as the price and demand for his mutton soars.
After working for eighteen years for a wealthy landowner Guðbjartur earns enough money to buy a piece of land to live off and marries the beautiful but tragic Rosa whom he frequently leaves alone in winter in dogged pursuit of familial independence.
Rich in scope and emotion this is a rewarding novel that earned the author a Nobel Prize for literature in 1955. It’s capitalist and materialist indictments are balanced by the characters involvement in Icelandic folklore culture in particular the poetry of rural Iceland that survived and blossomed during these times.
Not an easy read but the most rewarding novel’s are often demanding of their readers. As rich and eloquent as a novel should be and its economic theme is not lost in our current climate.
Click here to view this book in DLR Library Catalogue.
This is not a dream………..
June 3, 2011 at 1:24 pm | Posted in Great for Book Clubs, Middle Weight Fiction, Sex and Stravinsky | 1 CommentTags: Book Clubs, Book Reviews, Books, Great Reads
‘Sex and Stravinsky’ Barbara Trapido, Bloomsbury, May 2010
Not unlike Shakespeare’s ‘A Midsummer Night’s Dream’ Barbara Trapido’s new novel is a story of demented romantic and filial love but unlike Shakespeare’s comedy for Trapido’s characters none of it is a dream. 
The choices of two sets of couples are compounded by impulse and coincidence. Caroline a beautiful and brilliant tall Australian falls under the charm of Josh a Jewish South African who both in pursuits of their careers come to live in England. Meanwhile Hattie and Herman make a life for themselves in South Africa unaware of the momentous connection they have with Caroline and Josh.
The story is set between Trapido’s native South Africa and England during the late 1970′s gracing the story with scope and bathed in the historical half-light of South Africa coming out of apartheid. The geography of the two locations allows the idea of serendipity to filter through as the story’s tenant. No matter how far these characters diverge from the paths they were meant to go down fate will find them and realign things to how they should be. This in an oridnary novel could be bland but Trapido is under the wing of Bloomsbury publishers who never publish anything but inventive writing.
Like magic, although Trapido’s novel makes confusing and rapid choices if you believe in her, the incredible becomes completely credible.
Freedom comes in Time
April 14, 2011 at 3:54 pm | Posted in Award Nominated, Freedom, Great for Book Clubs, Literary Fiction | Leave a commentTags: Book Reviews, bookclub, Books
Jonathan Franzen ‘Freedom’ Macmillan, August 2010
The American middle class has been deconstructed and it is fantastic. Believe what you hear about this book Jonathan Franzen’s ‘Freedom’ is a truly great state-of-the-nation, deconstruction of our times, polemic epic of a novel.
The story explores the public and private life of a middle class american family ‘the Berglunds’ and is electrified with Franzen’s own interest in socio cultural issues such as the post 9/11 economy, nature conservation and overpopulation. This gives the novel it’s serious literary value and the reason why I believe it is becoming so acclaimed.
When the novel opens the parents in this family saga aren’t doing well. She is drinking, he is working for a corrupt coal company and they have greatly drifted apart. Each family member has ideas of reality, entitlement, love, morality and general life expectations that mostly are disappointed. A lot of novels look at these ideas too but Franzen couples them with global issues, hot american topics and ethical conflicts (at one stage father and son, Frank and Joey, become embroiled with a Haliburten like company in a very ill-advised financial pursuit) and these coupled ideas are the tools Franzen uses to dig at and explore middle america with. The socio-cultural aspects of this novel work to create a swinging pendulum of doom that moves in time with the family’s own demise gaining weight with every swing it is a fantastic literary technique reminiscent of Ian McEwan’s ‘Solar’.
This family are written in 3D every dimension of them is soaked in detail and their humanity lend’s the story its page turning compulsion. Between them they are vain, self-pitying, passive aggressive, disloyal, unfaithful, uncommunicative, hungry for love, sexually promiscuous, mercenary, angry and vulnerable. Franzen is a natural writer in showing how they are all these things only in their struggle to find meaning in a cheapened world and the reason that readers like them so much is because they are struggling. They know something is very wrong the world which they don’t accept and all of them are on the quest for transcendence in their own individual ways.
With this novel Franzen is the first author to appear on the cover of Time magazine since Stephen King did ten years ago. This is one of the most hyped novels in a long time. It is a fantastically well crafted story but so is Curtis Sittenfeld’s ‘American Wife’ and so is Ian McEwan’s ‘Solar’. It is unfortunate that this novel has become a little overshadowed by the hype and a precocious side to the success of this novel is now showing with the New York Times describing Franzen’s own comparisons of ‘Freedom’ to ‘War and Peace’ as ‘laughably conceited’.
An unbelievably well executed novel in good company with Ian McEwan, Don Delillo, Damon Galgut and Curtis Sittenfeld but I haven’t been carried away with the hype to value it as anything more than this.
Haiku; Will ‘Freedom’ now be the new book club selection for Oprah Winfrey?
Bookclubs look at the characters…
March 23, 2011 at 2:12 pm | Posted in Book Club Ideas | Leave a commentTags: Book Reviews, bookclub
Look at the characters
1. Characterisation- is it done well? The more a reader knows a character the increased chance for success there is for character and plot development.
2. Many novels now focus on characters rather than plot developments as a literary technique to drive novels – does the novel you’re reading do this?
3. If a character is underdeveloped the author may lean too heavily on stereotypes and archetypes, this is lazy writing, if a book is not holding your interest there is probably a reason for this, examine the characters.
4. A rich character can be iconic and by virtue can refer to a different era, location, ideology, way of life, value system etc.
5. How do you enjoy getting to know a character by being told through the narrative what they are like or seeing how a character behaves and develops in different situations?
What to look for in a memoir…
February 4, 2011 at 4:33 pm | Posted in Biography | 1 CommentTags: Book Reviews, Books, Great Reads, Memoirs
I would as a reader generally shy away from reading memoirs and biographies as often even the most interesting stories are so heavily grounded in narrative they become disengaging. Candia McWilliams memoir ‘What to Look for in Winter’ is movingly different. She sets the narrative of her suffering at the loss of her sight against the often tragic but beguiling story 
of her life producing a well paced and plotted memoir.
McWilliams was judging the Booker Prize in 2006 when she first began to lose her sight and when we meet her in the book she is Cambridge educated, part of the English aristocracy has been married twice once to an Earl and emerged out of these relationships with three children and a wicked drinking problem.
I believe in person there is an other worldliness quality about McWilliams and a striking beauty , the same can be said about her writing. Her memoir has a detached tone when describing her experiences which mirrors McWilliams own withdrawal from the world. Throughout her life she gains and loses many things; husbands, homes, health, self respect….she probes each experience with her beautiful literary eye pulling together the sense of her life with the aid of a Cambridge inspired vocabulary.Her strong sense of self is paraded out through confident prose and language, meaning becomes jewelled in language. In one particularly beautiful scene McWilliams daughter asks here why she likes the royal family and her explanation encapsulates the ideology of the royal family with a very clever perspective.
Her experiences at times are physical (the loss and re-gain of her sight, horrific battles with alcohol), at times they are heavily emotional self-destructive, ugly, romantic, poignant but the eye with which McWilliams looks at her own life with is so probing that all these experiences and battles with herself are beautiful because they are self aw
are.
It is with deep self-awareness this memoir is written and that’s what sets it apart from the others. That and the extraordinary life McWilliams has so far led. One reviewer of McWilliams describes her like ‘a northern princess gazing out of a cold castle onto icicles and pale eyed wolves’ and this is truly apt.
Haiku: Candia’s language, shiny diamonds in the dark, luminescent life.
‘….lyrical beauty and ethical depth….’
November 2, 2010 at 1:43 pm | Posted in Great for Book Clubs, Middle Weight Fiction | Leave a commentTags: Book Reviews
In 1995 Seamus H
eaney won the Nobel Prize in Literature “for works of lyrical beauty and ethical depth, which exalt everyday miracles and the living past”. I suddenly remembered this when thinking of ways of describing Anne Tyler’s fiction. Anne’s fiction similarly addresses everyday issues and occurences in the course of her characters lives. Far from being mundane her work addresses the mystic nature of these occurences and the complex and rich emotional situations that compliment them.
Anne is as unassuming as her prose which many reviews of her lately are claiming is responsible for her being lesser known than her contemporaries like John Updike. She has been nominated for the Pulitzer prize twice and has won it once in 1989 for her novel ‘Breathing Lessons’ but the media shy American author from Baltimore hasn’t done a book tour nor given a face to face interview since 1977.
Anne Tyler eighteenth novel ‘Noah’s Compass’ is receiving rave reviews. It is not fair of me to ask what is ‘Noah’s Compass’ about it is much more purposeful to ask what does it address. Other authors write books about the same things as Anne but Anne’s skills as an author explore these ideas in an ethical and deep way using minimal but deftly executed prose. The cover of this book I feel is inappropriate as it suggest a pretty light yarn which is not what she delivers.
‘Noah’s Compass’ addresses the problem of memory loss in older age through the story of Liam Pennywell a sixty year old man who has just lost his teaching post and through an unfortunate incident faces down the onset of memory loss. His life is an ordered and minimalist one. Widowed once and divorced once Liam lives a sparse and often detached life at stages. The distress of his sudden memory loss colours his relations with his family and his outlook on life. He is a man with very little to lose and very little he is able to achieve. Anne’s writing skills explore this intimately and you learn how appropriate the title of the book becomes when you encounter it’s use in the story.
A very fine piece of writing in a very fine body of work from an unsung hero of fiction.
Haiku; A light lit cover, in stark contrast with deftly, executed prose
The prose road is the road less travelled
October 8, 2010 at 2:42 pm | Posted in Award winners, Great for Book Clubs, Literary Fiction | Leave a commentTags: Book Reviews
Howard Jacobson ‘The Finkler Question’ Bloomsbury August 2010
Howard Jacobson’s ‘The Finkler Question’ has won this year’s Man Booker Prize. However reading it didn’t change my decision to have firmly backed Damon Galgut’s ‘In a Strange Room’ for the prize although the two books are very different types of novels. What is likeable about ‘The Finkler Question’ is that it is a very dark comedy, something which is so rare in fiction and it is also a remarkable piece of prose writing whose plot allows Jacobson to explore many interesting ideas.
The book hinges itself on the dynamics of Sam Finkler’s friendships with tw
o other men, Julian Tresolve a former BBC worker whose life and career appear to have suffered from his disgruntled world views and values and his inability to commit to people and long term projects and also with Libor Secivk an elderly Jewish widower. Finkler himself is a philosopher and television producer and philosophical musings are resonant in Jacobson’s writing style.
One evening Tresolve is attacked and his pride and values are disturbed when he realises 1. his attacker is a woman and 2. when he believes she slurred the words ‘you Jew’ when robbing him of his valuables. The novel then begins to meditate on ideas of anti Semitism and the Israeli – Palestine conflict with his friend Libor taking over the narrative for a large part of the book musing what it has been like for him to be Jewish in the21st Century.
I must be honest and say I found this book to be quite difficult. The prose road in fiction for me is definitely the one less travelled in my reading. The novel’s concepts are very interesting but heavily ideological, Jacobson’s writing voice is strong but heavily philosophical and these elements compounded together to make the novel more challenging than enjoyable.
Haiuk; Ideology, heavy literary prose, study the story.
A wonderful thinly veiled disguise…….
September 23, 2010 at 1:10 pm | Posted in Great for Book Clubs, Middle Weight Fiction | Leave a commentTags: Book Clubs, Book Reviews
Curtis Sittenfeld, ‘An American Wife’ Random House, August 2009.
This is the b
est page turner I have read in a very long time. At a whopping 558 pages Curtis Sittenfeld’s novel ‘American Wife’ is a monster of a story but one that is so enthralling it will have you turning the page every few minutes. ‘American Wife’ is the fictionalized account of the life of Laura Bush and it seems to be a thinly veiled disguise at that. How this novel made it out of the legal deparment of Random House I have no idea…..
The narrative is carried along by some very important life markers in the leading lady’s youth which I will not spoil by revealing. They are used to perfection in the narrative dynamic as the book progresses over it’s almost 600 pages. A technique some modern literary authors could take note of. ..
‘Alice Blackwell’, the novels leading lady, grows up in a middle class family who are highly moral, well educated, family orientated and good people who are somewhat conservative in their take on life. Alice is the most likeable character full of grace and dignity in her conduct. She trains as a librarian, as we know Laua Bush did, and is liberal and open minded so much so she was a democrat somthinga lot of us did not know.
How does she come to marry her husband the most nortorious Republican of all time? Well this is a romantic love story above all and one that also respects the institution of marriage as something that requires commitment and work. An examination of a private and public life lived simultaneously ‘American Wife’ is a fantastic epic yarn.
Haiku; Behind Presidents, often stand quiet women, step foreward Laura Bush.
We are duplicitous beings capable of magnificant levels of self delusion
May 7, 2010 at 7:52 pm | Posted in Great for Book Clubs, Short Stories | 1 CommentTags: Book Reviews, Short Stories
Maile Meloy ‘Both Ways Is The Only Way I Want It’ Canongate, April 2010
We are duplicitous beings capable of magnificent levels of self delusion. Whoever thought this could be an affirming idea in fiction? Maile Meloy did…………………..
In Maile Meloy’s collection of short stories ‘Both Ways Is The Only Way I Want It’ there is solid and deep storytelling. Many of the books reviewed on this site have that so how can this book be different? Because boy, is this a clever book. Its title ‘Both Ways Is The Only Way I Want It’ is the common thread that underscores each story making the most different of characters have a universe in common.
No matter how morally out of control a situation, or event, in Maile’s stories gets, the basic premise they all share is that although the two ways a character wants a situation to go are impossible, they all share the same strong desire to have it both ways.
An unfaithful husband on the inevitable cusp of being caught red-handed still convinces himself he can get away with his duplicity if he just behaves obsessively like normal. Two warring brothers forced on a family holiday by their wives ends invariably in disaster but with each of the brothers wishing to repeat the holiday again the next year in the deluded belief it will be different!
Delusion, duplicity and grandiose self deception confirm happily in these stories that we are human and it is ok to want the irrational…especially as the rational side of ourselves knows it is never going to happen! It is fascinating reading! The stories are full of such normal people, people out of work, people on holidays, children, hitchhikers, teenagers and pets. The normality makes the characters and their desires very easily conceivable.
It is the human truth and desire that Maile carves out that is so clever and frightening. No matter how unreasonable your expectations or deluded beliefs, it is explainable by the condition we all suffer of being human. The collection is well balanced, with poignant, tender and melancholy stories and some very funny ones too. In the stories power changes hands like a game of tennis and you also won’t judge any of the characters for their very poor decisions because if you do you will be judging yourself.
For a few days after finishing the book I was left with the image from one story of a child who wanted a puppy so badly, but was allergic to dogs. She brought one home covering her face and throat with a bandana and with socks on her hands to prevent a violent allergic reaction happily thinking she could live the rest of her life like this! Maile’s affirmation that we are capable of capable of the most grandiose of self delusion is one of the strongest affirmations of what it is to be human and feel alive…….want the irrational….believe with all your might it can happen….while all the time knowing it never will!
Haiku; Short stories distill, the absurdity of life, novels dance around.
Is romantic Ireland dead and gone?..not with the click of your mouse
March 8, 2010 at 8:52 pm | Posted in Great for Book Clubs, Literary Fiction | 5 CommentsTags: Book Reviews, Books, Irish Authors
‘Fishing in Beirut’ Steven Callaghan, Blue Press, September 2010.
Whoever said Irish writing and the Irish Publishing industry is in decline hasn’t read Fishing in Beirut. I say this for two reasons. 1. Steven Callaghan is a super brand new Irish voice in writing and 2. This novel is being published, serialized, online. Fishing in Beirut is an ambitious novel which delivers on many levels and the serialization of this story, online, is one of the most original ways I have encountered a novel. It is the story of five modern characters living in Paris. It has tangible descriptions of Paris, iconic landmarks we all know mixed in with gritty characters that reveal, through their stories, the underbelly of Parisian life that also exists. It is made up of short scenes, beautiful and sometimes poignant literary sentences that you will want to linger over. Each scene and character portrait is full of promise and you feel a culmination building the deeper you go into the novel. Callaghan’s writing is a reward in itself but is balanced with very humanly drawn out characters which makes this literary debut also a compelling page turner. What I especially loved about this novel was the Hemmingway reminiscent food descriptions which often made me hungry. With a new scene released every day I have found myself eagerly logging on. Forget the e-reader or the kindle; online publishing is clearly where it’s at. If this novel is heralding in a new era in contemporary Irish literary fiction, I for one am in. Is romantic Ireland dead and gone? No way…not with the click of your mouse!
Haiku; One Irish author, Five characters in Paris, fantastic debut
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