Sarah's Books

Michael Ondaajte interview for Mountains to the Sea Festival 2011

Michael Ondaatje was interviewed last night as part of the DLR Mountains to the Sea Festival last night by the wonderful Belinda McKeon. His interview  fell on the first night of the festival and what a magical opening launch it was. Belinda introduced Michael describing his writing as achieving an unparralled dream like quality which is very apt. Michael read from his new novel ‘The Cat’s Table’  enchanting the whole audience and proved in the interview to be just as interesting and grounded a person as his books are. Sarahsbooks is looking forward to reading Michael’s new offering and invites reviews from anyone who has read it already!

Interview with Irish author Steven Callaghan

1. How would you describe your latest novel ‘Fishing in Beirut’

       Fishing in Beirut is a novel about five characters who have come to Paris for different reasons. I intended it broadly as a story of desire, and more specifically as being about these five people trying to come to terms with themselves and their pasts. When I lived in Paris I felt intoxicated by the city pretty much on a daily basis. I wanted to really convey a sense of modern, day to day Paris to the reader also.

2. How would you describe your writing style in ‘Fishing in Beirut’?

       I think the writing style changes slightly depending on which character we are with. However, I wanted it to be quite sensual throughout. It is relatively plain in terms of language but the focus is very much on sights, sounds, smells, and physical and mental feelings. Also, exactly where in Paris a scene is taking place is always described.

3. Your novel takes place between European destinations what do these locations lend to the story?

        I would hope they lend the story a strong sense of place. They also help the reader get a fuller grasp of the characters by being able to associate them with particular cities.

4. What authors have inspired you?

I’ve certainly been inspired by authors as diverse as Don DeLillo, Cormac McCarthy, Natsuo Kirino, Fyodor Dostoyevsky  and Gabriel Garcia Marquez. However, I’ve been inspired equally, if not more so, by filmmakers like Jim Jarmusch, Abel Ferrara and Michael Mann, and musicians like Tom Waits, Kurt Wagner and Vic Chesnutt, in how I approach storytelling.

5. Do you have plans for a second novel?

       I’ve just completed my second novel. It’s set in Paris once again and I’m currently looking for a publisher!

6. What advice would you give a debutant Irish author?

       I don’t think authors tend to need advice from other authors on writing itself. The helpful advice is that which relates to the industry, regarding finding an agent, submitting to the right people etc. The whole process is quite trial and error, and I suppose my advice would be if you believe in your work, don’t give up. Do your research, keep submitting, and don’t lose heart if it seems to entire mainstream publishing industry is one big closed shop. Increasingly these days, there are all kinds of ways and means to get your stuff out there. I serialised Fishing in Beirut online before it ever came out in hardcopy. http://fishinginbeirut.com/

Fishing in Beirut now available in The Exchange Bookshop Dalkey

Fans of up and coming Irish author Steven Callaghan will be pleased to know that the Exchange Bookshop in Dalkey is now stocking his debut novel ‘Fishing in Beirut’. Check out both the author’s blog and the bookshop website in the ‘why not check out’ section on the right.

Jonathan Franzen’s rules for writing

“Rules for Writing”

In February 2010, Franzen (along with writers including Richard Ford, Zadie Smith and Anne Enright) was asked by The Guardian to contribute what he believed were ten serious rules to abide by for aspiring writers.^[36] Franzen’s rules ran as follows:

1. The reader is a friend, not an adversary, not a spectator.
2. Fiction that isn’t an author’s personal adventure into the frightening or the unknown isn’t worth writing for anything but money.
3. Never use the word “then” as a ­conjunction – we have “and” for this purpose. Substituting “then” is the lazy or tone-deaf writer’s non-solution to the problem of too many “ands” on the page.
4. Write in the third person unless a ­really distinctive first-person voice ­offers itself irresistibly.
5. When information becomes free and universally accessible, voluminous research for a novel is devalued along with it.
6. The most purely autobiographical ­fiction requires pure invention. Nobody ever wrote a more auto­biographical story than “The Metamorphosis“.
7. You see more sitting still than chasing after.
8. It’s doubtful that anyone with an internet connection at his workplace is writing good fiction (the TIME magazine cover story detailed how Franzen physically disables the Net portal on his writing laptop).
9. Interesting verbs are seldom very interesting.
10. You have to love before you can be relentless.^{[36]http://en.wikipedia.org/wiki/Jonathan_Franzen}