Elizabeth is Missing

March 17, 2015 at 2:06 pm | Posted in Award Nominated, Elizabeth is Missing, Great for Book Clubs, Middle Weight Fiction, Popular Fiction | 2 Comments
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Elizabeth is Missing

Harper Collins 2014

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What a treat Elizabeth is Missing is! Author Emma Healey has weaved a dream in which we move with the main protagonist Maud, an elderly lady who is living with ever encroaching dementia, senility or Alzheimer’s (it’s never quite confirmed which and it’s lack of a label doesn’t seem that important a detail either).

Maud’s children are grown, her husband passed away and Maud has carers who come in daily to assist her. Although they help they also display a significant absence of empathy and respect towards Maud, as do many of the other characters. Where others fail in their due process towards Maud, Maud displays great self-respect by constantly reminding everyone that her friend Elizabeth is missing. No matter how many times people tell her to stop or patronise her she doesn’t stop telling everyone and trying to solve the mystery. She upholds her dignity in her pursuit of the truth against the tidal wave of her dementia and the unhelpfulness of everyone else.

The plot is so cleverly woven like a piece of embroidery, flowing from Maud’s recollections of youth to the current day struggles and binds she finds herself in. Stories are layered on top of each other building a platform of truth, however uncomfortable, upon which the seventy year old mystery of why Elizabeth is missing is revealed. A rewarding and evocative novel that I wish I could read again for the first time.

Emma Healey   The book in haiku: Someone is missing, a memory has been lost, now finally truth.

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McEwan reigns

November 11, 2014 at 10:24 pm | Posted in Great for Book Clubs, Middle Weight Fiction, The Children Act | 2 Comments
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Ian McEwan ‘The Children Act’, Jonathan Cape 2014

 The childrens act

Ian McEwan is a master storyteller. In his latest novel he brings us on a journey into the moment of a life of a very successful high court judge, Fiona and the personal and legal challenges she simultaneously faces.

McEwan employs his impressive skills of engineering a plot and grinding the wheels of prose to tenderly lament a marriage in peril after thirty years and to bring us on the journey of Fiona’s greatest professional challenge – the case of a seventeen year old Jehovah’s Witness boy who is refusing a lifesaving blood transfusion on the grounds of his religion.

To compare this novel to ‘Solar’ or ‘Saturday’ would be an easy thing to do but not appropriate, for this novel relays something that has provoked McEwan’s sensibilities and interest and perhaps it is this suspect personal feel that distinguishes this novel from his others.

The Guardian, in their review of ‘The Children Act’ observed that McEwan is fascinated with ‘great institutionalized authorities’ in the upper echelons of society – his protagonist in ‘Saturday’ from the esteemed medical profession and in ‘Solar’ a research scientist. Now in ‘The Children Act’ a high court judge. His deluges into Fiona’s personal difficulties however feel more poignant and sit a little less easy than journeys with his previous characters whose theatrical personalities lend themselves to plots of great scope and pace.

What does McEwan feel about Fiona and her situations really? I’m not sure by the end of the novel but I know her view of the world and her vantage point from the legal profession captured his imagination and I felt glad to have been moved by some deeply beautiful prose;

It could be just like that, a poisonous obsession, an addiction drawing him away from home, bending him out of shape, consuming all they had of past and future, as well as present.

Either way unbearable.

Unbearable and fascinating. And irrelevant.’

The Children Act in haiku

Legal vantage points

Logic and closed emotions

Verdicts that flounder

The Secret History Donna Tartt

April 4, 2014 at 4:24 pm | Posted in Award winners, Middle Weight Fiction, Popular Fiction, The Secret History | 1 Comment
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It is understandable how Donna Tartt’s ‘The Secret History’ became a long-term bestseller and conquered a place in so many book lovers hearts. The story centered on a group of young bright affluent students at an exclusive Vermont College in the 1980’s roaming wild and burning through money is exceptionally engaging .and compulsively addictive.

The young group is composed of a variety of apparently sympathetic characters Richard who, unlike his peers, is on a scholarship to the exclusive college and is at great pains to conceal his blue-collar roots, twins Camilla and Charles known for their manners and gentle ways, Henry the emergent leader of the group remarkable for his adaptability to changes in circumstance and ability to mix easily with all sorts of people and also Francis and Bunny who enjoy all life has to offer with great self-assurance. What the characters all have in common is that they are all students of the charismatic erudite Professor  Julian  Morrow who teaches them Classics exclusively to a level of detail and reverence far above the academic norm.

Inspired deeply by their passionate teacher a few members of the group perform a Dionysian rite one night (a rite designed to work the worshiper into a state of ecstasy in order to feel the power of the gods through wine, dancing and often sexual expression) but the rite has truly gross consequences for the group which go on to drive the plot to even wilder and darker places and the death of Bunny Corcoran (whose death is revealed to the reader in the first line of the novel). the-rites-of-dionysus

Do not look for redemption, regret or guilty melancholy from this group, as a reader the novel demands that one must think much bigger when it comes to this motley crew and contemplate openly Donna Tartt’s brilliant subtle suggestions that Henry may himself be the devil incarnate and that in this existential world absolutely anything is possible once you have the nerve and stomach for it.

The plot is set in the familiar routines of college life against the rich dripping backdrop of the classical world of Greek and Latin language, prose and poetry. Donna Tartt’s prose is just so accomplished that at times it feels like God himself has lifted the telephone to call you personally and reveal some select mysteries of the world;

‘…there was never any doubt that he (Henry) did not wish to see us in our entirety, or see us, in fact, in anything other that the magnificent roles he had invented for us: genis gratus, corpore glabellus, arte multiscius, et fortuna opulentus – smooth cheeked, soft-skinned, well-educated, and rich. It was his odd blindness, I think, to all problems of a personal nature which made him able at the end to transmute even Bunny’s highly substantive troubles into spiritual ones.’

donna tartt pic

 

 

 

 

 

 

The novel in haiku; murderous thoughts fly, money and nerve conquer all, but it takes just one

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